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 From this point on all blog posts are related to African American Lit.

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Free Will in The Plague

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  The Creation of Adam by Michelangelo (c. 1508-1512) There have been many different responses to the plague. Some townspeople have chosen to essentially ignore it and wait for it to pass, some have decided to help fight the plague, and some have set their houses on fire. The way different characters have reacted reveal a lot about their worldviews. In Paneloux’s case, he has decided to give sermons about the plague, stating that the plague is part of God’s unwavering plan. Meanwhile Tarrou has set out to help the health committees control the spread of the plague, showing that he believes human efforts can save lives. I find Paneloux’s and Tarrou’s viewpoints particularly interesting, as they seem polarizing, and get into the question of whether the people on The Plague have free will. As Paneloux says in his sermons, he firmly believes that the plague is God’s will and that God’s will must be accepted in its entirety or fought in its entirety—there cannot be any middle ground. ...
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Representation of Black Women in Native Son

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Portrait of a Young Woman - artist unknown, late 18th century                The blind spot in Native Son most discussed in class was that of the book’s representation of Bessie and black women as a whole, and whether this representation is effective in its depiction of the experiences of black women. To make a blanket statement, none of the women in Native Son are developed enough as characters to be depicted as full, well-rounded people. However, Bessie gets the brunt of this flat representation as she is objectified, dehumanized, and devalued by Bigger throughout the book, and then is literally treated as an object as her body is brought out as evidence in court for the murder of a white woman. I think it can be argued that there are reasons for this lacking depiction of Bessie, but I do not think that this novel is at all an effective representation of what it is like to be a black woman.        ...
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Fighting Invisibilty?

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Equestrian Portrait of the Count Duke Olivares  by Kehinde Wiley (2005) Having now finished Invisible Man , I find that there is an aspect of the novel that I am conflicted about and have been since the prologue: the narrator’s acceptance of his invisibility. In the prologue, when the narrator is first introducing the concept of invisibility, he says, “I am not complaining, not am I protesting either. It is sometimes advantageous to be unseen, although it is most often rather wearing on the nerves” (3). I find this passage interesting because the narrator is explicit about the hardships of being invisible (and then proceeds to write a whole book about them), but he also seems rather accepting of his invisibility. On one hand, I think it would be impossible for the narrator to be “visible.” His invisibility is completely out of his control and has entirely to do with the fact that he is a black man living in a racist society. Additionally, before discovering his invisibility, the ...
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